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Nought was to be seen but the
green turfy mound, with the stones on which no Runic record has been
graven; but at the last sound of the harp there soared over the
hill, as though he had fluttered from the harp, a little bird, a
charming singing-bird, with ringing voice of the thrush, with the
moving voice pathos of the human heart, with a voice that told of
home, like the voice that is heard by the bird of passage. The
singing-bird soared away, over mountain and valley, over field and
wood- he was the Bird of Popular Song, who never dies.
We hear his song- we hear it now in the room while the white
bees are swarming without, and the storm clutches the windows. The
bird sings not alone the requiem of heroes; he sings also sweet gentle
songs of love, so many and so warm, of Northern fidelity and truth. He
has stories in words and in tones; he has proverbs and snatches of
proverbs; songs which, like Runes laid under a dead man's tongue,
force him to speak; and thus Popular Song tells of the land of his
birth.
In the old heathen days, in the times of the Vikings, the
popular speech was enshrined in the harp of the bard.
In the old heathen days, in the times of the Vikings, the
popular speech was enshrined in the harp of the bard.
In the days of knightly castles, when the strongest fist held
the scales of justice, when only might was right, and a peasant and
a dog were of equal importance, where did the Bird of Song find
shelter and protection? Neither violence nor stupidity gave him a
thought.
But in the gabled window of the knightly castle, the lady of the
castle sat with the parchment roll before her, and wrote down the
old recollections in song and legend, while near her stood the old
woman from the wood, and the travelling peddler who went wandering
through the country.
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